Video projects are billed in parts that happen weeks apart: the shoot, the edit, the deliverables, the revisions, and often a license for how the client may use the result. If the invoice does not separate them, the client cannot see what they paid for and asks for more revisions “since the edit was included”. This template separates shoot days from post-production, names each deliverable, counts the revisions, and states the usage rights.
Free, fillable, US Letter. No email, no sign-up. Fill in your business once. For each project change the client, the dates and the deliverables.
What the PDF looks like. The hints in the line table show the lines a videographer typically bills; type over them.
If the invoice says “editing”, the client thinks edits are open-ended. “Edit of highlight film, 2 rounds of revisions included” ends that.
A business client puts your brand video in a paid ad campaign. If the invoice did not license that, you have no claim to the extra fee. One line.
Couples ask for the raw files after delivery. Price it as a line (or state that it is not included) before they ask.
Lines a typical job produces. Labor and materials are separate, and anything already paid is a negative line so the total is the balance due.
| Description | Qty × rate | Amount |
|---|---|---|
| Shoot day: Jun 14, 10 h, 2 operators, ceremony and reception | 1 | $2,200.00 |
| Drone footage, licensed pilot, 1 h | 1 | $350.00 |
| Post-production: highlight film 5 min, 2 rounds of revisions | 1 | $1,400.00 |
| Full ceremony edit, 1080p, single deliverable | 1 | $450.00 |
| Deposit received Nov 2 | −$1,500.00 | |
| Total due | $2,900.00 | |
Avo keeps your clients and your usual line items, so the next invoice is three taps. Your first three documents are free, full-quality PDF, no watermark. Premium from $59.99/year if you invoice often.

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Deposit at booking (25–50%), a payment after the shoot, and the balance on delivery of the final files. For commercial work, 50% on signing and 50% on delivery is common. Each stage is its own invoice or a credit on the final one.
Yes, the number included and the price of extra rounds. It is the single most common dispute in video work and one line prevents it.
Where (web, social, broadcast, paid ads), for how long, and in which territory, plus whether the license is exclusive. Personal event films need no license line; brand and ad work always does.
Only if the invoice or contract says so. Many videographers sell raw footage as an add-on (often a flat fee plus a drive) and state that it is otherwise not included.
Yes when you license a track for the client's film; bill it at cost or as a line in the package and name the license, because the client's platform may ask for proof.